
I received a copy of Nicole Krauss’s The History of Love from Meagan last month and finally finished reading it last week. I must admit that I’m still emotionally digesting it, but I enjoyed the balance of quirky comedy and tragedy in the characters and found the meta-novel aspect quite interesting.
Plot: The novel follows two parallel and eventually intertwining stories, that of an old man named Leo Gursky, the true author of the novel-within-the-novel entitled The History of Love, and a young girl named Alma Singer, named after the Alma of Leo’s book.
Leo Gursky has suffered devastating losses. He loses his family in Nazi-invaded Poland, and not long after, he loses Alma, the first and only woman he ever loved. He finds out, however, that they had a son together, and he secretly watches his son grow up and then die without knowing him. In the present day, Leo’s only (imagined?) companion is his childhood friend Bruno, and as he awaits his death, he does ridiculous things just to keep from feeling invisible.
Alma Singer lost her father several years ago, and she just wants to find someone for her mother so that she’ll stop being perpetually sad. Her mother now occupies herself obsessively and lovingly translating a novel called The History of Love, given to her by Alma’s father early in their relationship. Alma searches through the book for clues about what her father was like and how to help her mother. What she finds instead is Leo Gursky.
Pseudo-analysis: An underlying theme, highlighted by the meta-novel construction, is the transformative power of literature. As highlighted by many neuroscience articles of late, a good book changes us, how we see the world, how we relate to others, how we confront difficulties in our own lives. Indeed, here, a single book becomes the life force of several of the characters and bring them together in unforeseen ways.
While that’s an important and powerful theme, ultimately, The History of Love is about living with loss. Alma’s mother enshrouds herself in memories of her late husband. Meanwhile, Alma hoards wilderness survival gear beneath her bed because it’s the strongest association she has with her father. Her little brother acts out and seeks knowledge about what their father was like. Leo, who has suffered such devastating personal losses, carries on almost mechanically, carrying out comical stunts on occasion as if to remind others and himself that he’s still alive. One of the most haunting aspects of the novel is the unique (but realistic) ways the characters have of coping with their respective losses.
Next book review, belatedly: And the Band Played On by Randy Shilts. I think Roommate’s done with it too.
Currently reading: Reading Lolita in Tehran by Azar Nafisi